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NEW!!!

Leaf Series Necklaces
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Road
Map to an Artistic Life
Susan Marie David
Jeweler / Collagist
Susan
began her artistic career as an custom jeweler. To This end, she
studied design, technique, antique jewelry appraisal and gemology
with Lisa Spiros, Marsha Davis, Edith Weber and others.
For
her creations she frequently uses vintage stones, which she obtains
from pieces of antique jewelry, which she disassembles and re-sets;
or from job lots of old custom jewelry. She might even use old crystals
or glass pieces from non-jewelry sources such as old chandeliers
or even 1920's dresses.
A very
strong influence on Susan was her Irish grandmother whose own grandmother
immigrated to Iowa many generations earlier. In addition to her
skills at crocheting, and dressmaking her grandmother practiced
a handed-down, folk art technique of producing jeweled appliqués.
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Artist: Susan Marie David
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"Gold
Series"
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(Susan
Marie David - Jeweler / Collagist continue
here)
These
were composed of old costume jewelry and other "discarded" objects
which caught her eye. One such piece of Grandma's creations is hanging
in Susan's studio.
One
year, Susan decided that it would be unique to create Christmas
gifts for her family applying her grandmothers technique, from surplus
materials in her studio which for one reason or anther she deemed
not suitable for her custom jewelry. As some of her regular clients
became aware of these works, she received and filled requests for
them. Thus, from this early, relatively simple jeweled depictions
of Christmas trees, Roman crosses, peace symbols, and butterflies
and flowers grew Susan's obsession with large and more complex three-dimensional
works. He mannequin series is but the latest of her themes. (continues
below)
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"Silver Series"
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(Susan
Marie David - Jeweler / Collagist continue
here)
Process
art involves the transmutation of items, which have outlived their
original intended uses and are reprocessed into artistic formats.
The underlying idea is that the original purposes of the objects
and the wear from their use over the years contribute to the theme
and message of the developed work of art. The subtle impressions
of each “discarded” object are reborn in the context of Susan’s
creations.
Susan
Marie’s Process art projects a passionate ecological message about
the immutability of otherwise disposable objects. There is something
about a bent silver tray, a broken necklace or one earring
that conveys a timeless message. Each object provides a subtext
reflecting not only its original function but also the scars of
its use over time. Once new, then used up, rejected and discarded,
and then reborn as an element in a work of art to please the eye
and soul.
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